Monday, August 12, 2019

Blue Monday, Howlin' Wolf edition

Monday, October 22, 2018

"Conditions make these things happen"

Monday, May 14, 2018

Blue Monday, Yardbirds, Chester Burnett edition

Monday, September 18, 2017

Blue Monday, Sam Cooke edition

Sunday, March 05, 2017

Blue Monday, Howlin' Wolf

Monday, December 05, 2016

Blue Monday, Howlin' Wolf, Mick Jagger, Jeff Beck edition

Monday, October 24, 2016

Blue Monday, Howlin Wolf edition

Monday, February 22, 2016

Blue Monday, Howlin' Wolf edition

Monday, February 24, 2014

Blue Monday, Howlin' Wolf edition

"Whatever 'R&B' is..."



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Monday, January 20, 2014

Blue Monday, Howlin' Wolf introduced by Brian Jones edition

Monday, December 16, 2013

Blue Monday, Howlin' Wolf edition

Psychedelic Wolf



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Monday, September 10, 2012

Blue Monday, Howlin' Wolf edition

Tuesday, December 06, 2011

Hubert Sumlin, 1931-2011

Very few have been as influential.

Mr. Sumlin began appearing on Howlin’ Wolf’s recordings in 1953, first as a rhythm guitarist and then, beginning in 1955, on lead guitar. Mr. Sumlin’s eerie guitar counterpart to Howlin’ Wolf’s unearthly moaning on the 1956 hit “Smokestack Lightnin’ ” has lately been featured in a television commercial for Viagra. He also played lead on “Back Door Man,” “Spoonful” and “The Red Rooster,” all written and arranged by the Chicago blues trailblazer Willie Dixon.
“Dixon’s often astute novelty lyrics and shrewd arrangements were topped off by Sumlin’s imaginative, angular, taut attack, frequent glisses, maniacally wide vibrato and percussive chords, all drawn with an exaggerated brush,” the producer Dick Shurman observed of Mr. Sumlin’s relentlessly inventive playing in his liner notes to a 1991 boxed set of Howlin’ Wolf’s work for Chess Records.
“Back Door Man,” “Spoonful” and “The Red Rooster” were later made even more famous in versions released, respectively, by the Doors, Cream and the Rolling Stones. All three originally appeared on Howlin’ Wolf’s 1962 LP “Howlin’ Wolf,” which the critic Greil Marcus called “the finest of all Chicago blues albums,” largely because of Mr. Sumlin’s contribution.
Though at times tempestuous, Mr. Sumlin’s partnership with Howlin’ Wolf lasted until the singer’s death in 1976. Mr. Sumlin’s intuitive, empathetic accompaniment typically spurred his mentor to unpredictable and frenzied heights.
Speaking of their collaborations in a 1989 interview with Living Blues magazine, Mr. Sumlin said: “Hubert was Wolf, Wolf was Hubert. I got to where I knew what he wanted before he asked for it, because I could feel the man.” 





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Monday, August 30, 2010

Blue Monday, Howlin' Wolf edition

Monday, September 07, 2009

How many more years?

Happy Labor Day

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Monday, June 08, 2009

Blue Monday, Howlin' Wolf edition

Monday, February 02, 2009

Blue Monday, Chester Burnett edition

Sunday, December 07, 2008

Cadillac Records

Here's to hoping that a new generation will come to appreciate the music of Muddy Waters, Little Walter, Howlin' Wolf, Etta James, and Chuck Berry, and the words of Willie Dixon. In the meantime, go see it. While it plays a bit fast and loose with history (Leonard Chess had a brother in the business, f'rinstance), it's terrifically acted (especially totally convincing performances by Eamonn Walker and Columbus Short as Wolf and Walter, Mos Def is a blast as Berry, and that Ms. Knowles woman sure got pipes), and the film makers clearly love the music.

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Monday, June 30, 2008

Blue Monday, Howlin' Wolf edition

"Evil." Chester Burnett makes a political statement, "It's the conditions."

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Monday, December 24, 2007

Blue Monday, Howlin' Wolf edition

Christmas? What Christmas? It's always summer in Newport to me.

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