The New York Times Styleguide

It's been updated. Now, every time a "liberal" OpEd columnist wants to write about Hillary Clinton, a mention of a Hepburn/Tracy movie must follow.

The other persistent gripe among some Clinton supporters is that a hard-working older woman has been unjustly usurped by a cool young guy intrinsically favored by a sexist culture. Slate posted a devilish video mash-up of the classic 1999 movie “Election”: Mrs. Clinton is reduced to a stand-in for Tracy Flick, the diligent candidate for high school president played by Reese Witherspoon, and Mr. Obama is implicitly cast as the mindless jock who upsets her by dint of his sheer, unearned popularity.

There is undoubtedly some truth to this, however demeaning it may be to both candidates, but in reality, the more consequential ur-text for the Clinton 2008 campaign may be another Hollywood classic, the Katharine Hepburn-Spencer Tracy “Pat and Mike” of 1952. In that movie, the proto-feminist Hepburn plays a professional athlete who loses a tennis or golf championship every time her self-regarding fiancé turns up in the crowd, pulling her focus and undermining her confidence with his grandstanding presence.

In the 2008 real-life remake of “Pat and Mike,” it’s not the fiancé, of course, but the husband who has sabotaged the heroine. The single biggest factor in Hillary Clinton’s collapse is less sexism in general than one man in particular — the man who began the campaign as her biggest political asset. The moment Bill Clinton started trash-talking about Mr. Obama and raising the specter of a co-presidency, even to the point of giving his own televised speech ahead of his wife’s on the night she lost South Carolina, her candidacy started spiraling downward.

Some truth to it? What, exactly is his point?